It doesn’t have songs, is in Punjabi, is made by a Pakistani and is considered a mainstream film — documentary filmmaker Sabiha Sumar’s first film “Khamosh Pani” is finally set to be released in theatres across the country.

But will there be an audience for a film about a victim of the partition of India into two countries whose past catches up with her in unexpected and tragic ways?

The question needs to be asked even though the sweet tender film has floored everyone who has seen it so far.